Beginning Punchneedle

Finally, after a couple of months of delay, I have been able to devote some time to the craft of punchneedle.  I had dithered away a lot of time trying to use reverse punchneedle for doll faces.  After that didn't work I decided it was time to get started on an actual piece of punchneedle art.

My plan (if you can call it that) was to take an existing picture and copy it into punchneedle.  The picture had to have shading so that I could practice that technique and the technique of using varigated threads.  Also it had to be simple.  At this point in my punchneedle adventure 'complicated' was not a word that I needed to hear.

So off I went using this picture by Nicole Marley.  I promise you Nicole (if you're reading this) I will only use this picture one time, for my use as a 'practice' piece.  And I thank you for your lovely art which definitely fit my criteria.  I did eliminate the grasses because I was trying to keep this as simple as possible.

I learned so much while doing this project.  I learned how to blend the threads and colors, I learned how to fix mistakes (of which there were plenty) and how to go back and fill in, because I had a tendency to not space closely enough.  I learned to keep track of the thread I'm using so that if I have to go back I know what shade was used where.  I learned how to do blocks of color in a space and then go back and fill in around it - achieving a shading effect.  I learned not to judge a section by the first few rows. The colors in the actual piece are much deeper and more vibrant than my little camera could capture.

Punchneedle is very meditative and I very much enjoyed 'filling in the spaces' with thread and color.  The whole project went quite quickly once I got started.  But saving the very best for last was to turn the frame over as I went and to see those loops creating a picture before my very eyes.

"You don't know how much artists go through to make it look so easy. It's all in the practice". - Lauryn Hill